{"title":"Music We Like (Mostly): 33 1\/3 Series","description":"33 1\/3 is a series of short books by different authors, each focusing on landmark albums by a variety of artists. \u003cstrong\u003e\u003ca href=\"https:\/\/333sound.com\/\"\u003eKeep up with 33 1\/3 series news.\u003c\/a\u003e\u003c\/strong\u003e","products":[{"product_id":"33-1-3-the-jesus-and-mary-chains-psychocandy","title":"33 1\/3 Volume 118: The Jesus and Mary Chain's Psychocandy","description":"The Jesus and Mary Chain's swooning debut \u003cem\u003ePsychocandy\u003c\/em\u003e seared through the underground and through the pop charts, shifting the role of noise within pop music forever. Post-punk and pro-confusion, Psychocandy became the sound of a generation poised on the brink of revolution, establishing Creation Records as a tastemaking entity in the process. 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A dense, sophisticated sonic stew punctuated by yo mama jokes and prank calls.\u003c\/p\u003e\n\u003cp\u003eWhile hip-hop was already calcifying its tropes of steely machismo and aspirational fantasy, \u003cem\u003eBizarre Ride\u003c\/em\u003e was a pure distillation of the average hip-hop listener's actual lifestyle-the joys and sorrows of four guys who were young, broke, sexually frustrated, and way too clever for their own good. 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Burroughs.\u003cbr\u003e\u003cbr\u003eIn this book Glenn Hendler shows that each song on Diamond Dogs shifts the ground under you as you listen, not just by changing in musical style, but by being sung by a different \"I\" who directly addresses a different \"you.\" Diamond Dogs is the product of a performer at the peak of his powers but uncomfortable with the rock star role he had constructed. All of the album's influences looked to Bowie like ways of escaping not just the Ziggy role, but also the constraints of race, gender, sexuality, and nationality. 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The album is a product of heightened emotions and fused sensibilities; an amalgam of soul, rock, jazz, gospel, hip-hop, and Afrobeats. D'Angelo put to music his own pleasures and insecurities as a man-child in the promised land. It was both a tribute to his musical heroes: Prince, Sly Stone, Marvin Gaye, J Dilla...and a deconstruction of rhythm and blues itself.\u003cbr\u003e\u003cbr\u003eDespite nearly universal acclaim, the sonic expansiveness of Voodoo proved too nebulous for airplay on many radio stations, seeping outside the accepted lines of commercial R\u0026amp;B music. Voodoo was Black, it was definitely magic, and it was nearly overshadowed by a four-minute music video featuring D'Angelo's sweat-glistened six-pack abs. \"The Video\" created an accentuated moment when the shaman lost control of the spell he cast.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/333sound.com\/\"\u003eKeep up with 33 1\/3 series news.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Faith A. 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That's no hyperbole. Surrounded by a throng of ecstatic fans (3,165 to be exact), the legendary performer delivered a concert in Carnegie Hall the live recording of which became, upon release, an unlikely pop cultural phenomenon. Judy at Carnegie Hall, the two-disc set that captured all 25 numbers she performed that night, went on to spend more than 70 weeks on the Billboard charts, win four Grammy Awards--including Album of the Year (making it the first live music album and the first album by a female performer to win the category)--and become, in the process, the fastest-selling two-disc set in history.\u003cbr\u003e\u003cbr\u003eWhat the recording highlights, and what's made it an enduring classic in a class of its own, is the palpable connection between the songstress and her fans. \"Indeed,\" The New York Times reported in its review of the evening's proceedings, \"what actually was to have been a concert--and was--also turned into something not too remote from a revival meeting.\"\u003c\/p\u003e\n\u003cp\u003eBy looking at her song choices, her stage banter, the album's cultural impact, and her place in the gay pantheon, this book argues that Judy's palpable connection with her fans is precisely what her Capitol Records' two-disc album captured.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/333sound.com\/\"\u003eKeep up with 33 1\/3 series news.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Manuel Betancourt\u003cbr\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e Bloomsbury Academic\u003cbr\u003e\u003cstrong\u003ePages:\u003c\/strong\u003e 144pp\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 5 x 6.5\u003cbr\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e paperback\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e May 14, 2020\u003cbr\u003e\u003cstrong\u003eISBN:\u003c\/strong\u003e 978-1501355103\u003c\/p\u003e","brand":"Bloomsbury","offers":[{"title":"Default Title","offer_id":32615295058019,"sku":"9781501355103","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/3902\/products\/33judyatcarnegie.jpg?v=1590814827"},{"product_id":"33-1-3-elton-johns-blue-moves","title":"33 1\/3 Volume 146: Elton John's Blue Moves","description":"\u003cp\u003eBy 1976, Elton John was the best-selling recording artist and the highest-grossing touring act in the world. With seven #1 albums in a row and a reputation as a riveting piano-pounding performer, the former Reggie Dwight had gone with dazzling speed from the London suburbs to the pinnacles of rock stardom, his songs never leaving the charts, his sold-out shows packed with adoring fans. Then he released Blue Moves, and it all came crashing down.\u003cbr\u003e\u003cbr\u003eWas the commercially disappointing and poorly reviewed double album to blame? Can one album shoot down a star? No, argues Matthew Restall; Blue Moves is a four-sided masterpiece, as fantastic as Captain Fantastic, as colorful as Goodbye Yellow Brick Road, a showcase for the three elements--piano-playing troubadour, full orchestra, rock band--with which Elton John and his collaborators redirected the evolution of popular music. Instead, both album and career were derailed by a perfect storm of circumstances: Elton's decisions to stop touring and start his own label; the turbulent shiftings of popular culture in the punk era; the minefield of attitudes toward celebrity and sexuality. \u003cbr\u003e\u003cbr\u003eThe closer we get to Blue Moves, the better we understand the world into which it was born--and vice versa. 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Engaging with the album, the promotion, the tour, and its accompanying music videos, this study unpacks how Janet uses Black cultural production as an emancipatory act of self-creation that allows her to reconcile with and, potentially, heal from trauma, pain, and feelings of alienation.\u003c\/p\u003e\n\u003cp\u003eThe Velvet Rope's arc moves audiences to imagine the possibility of what emancipation from oppression--from sexual, to internal, to societal--could look like for the singer and for others. 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Luckily, Velvet Underground founder John Cale was one of the few who did hear \"Hallelujah,\" and he covered it for I'm Your Fan, a collection of Cohen's songs produced by a French fanzine. Jeff Buckley adored the tribute album and covered Cale's cover in 1994, never having heard Cohen's still-obscure original version.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 2016, Stereogum labeled the tribute album \"possibly the most universally derided format in pop music.\" However, without a tribute album, you wouldn't know the song \"Hallelujah.\" Through Buckley through Cale, \"Hallelujah\" is now one of the most often-performed songs in the world--and it wouldn't be without this tribute album. I'm Your Fan thus offers a particularly notable example of a much broader truth: Despite all the eye-rolling they inspire, tribute albums matter. 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